MUSIC HISTORY TRADITION AND INNOVATION Mix

The term world music campursari national refers to a mixture of several music genres of contemporary Indonesia. Campursari term known in the early 1970s, when RRI Surabaya stations introduces a new event, which is accompanied by songs that blend musical scale musical tone pentatonic and diatonic. Mix is ​​one art form in Java which is a marriage of modern music with ethnic music. Mix itself is actually depart from the traditional arts of Java, where dipadukannya gending art with a variety of musical instruments, both traditional and modern musical instruments, conventional and electric.

But in fact, a blend of traditional Indonesian music with Western music is not something new. Long before campursari there are many world class musicians who've done it, among others, Claude Achille Debussy from the French, Hungarian composer Bella Bartok, then Collin Mc Phee American composer, Wheeler Backet. No FA Warsono of Indonesia, Soekarno Putra thunder with thunder group Gipsy introduces Bali blend of music and Western music.

Mix comes from two words that interfere and cider. Mix means the mingling of musical instruments both traditional and modern. Sari means of experiments that produce other types of rhythm than others. The artists combine two different musical elements, namely the ethnic music of gamelan instruments and modern instruments like electric guitars, bass, drums and keyboard, so it can be said that campursari is the result of cross-breeding of hybrid music between western and traditional music. This art requires some music players, no less than about ten people to produce a highly melodic rhythms.

The emergence of music campursari initially departed from the original style of music keroncong, campursari stick with the basics keroncong. Some are inclined to music musicians, there are likely to keroncong. Mix processed in such a way so as to produce the type of modern Javanese music, the lyrics of his songs are still adopting the traditional Javanese song gending though not all, because most of the artists strive to create songs that suit the circumstances campursari ongoing era.

Mix was originally popularized by Ki Nartosabdho through every puppet show was playing. Ki Nartosabdho real name is Sunarto. He was born in Wedi, Klaten, Central Java, on August 25, 1925 from underprivileged families. His father Partinojo a dagger sheath maker. Sunarto small school can not continue due to limited funds. Teenagers, Sunarto moved to Jakarta to support the family economy by making money through its ability in the field of painting. He also helped strengthen the orchestra keroncong "Sinar Purnama" as a violinist.

In 1945, Sunarto acquainted with Ki Sastrosabdho. Sunarto really forged its ability to recognize and explore the drum instrument. Through Ki Sastrosabdho Similarly, the puppet world Sunarto know. Between Ki Sastrosabdho and Sunarto is like a single entity as the father and son, therefore Ki Sastrosabdho then granted her last name to his favorite disciple becomes Nartosabdho. Ki Nartosabdho a world innovator of puppetry in the 80s, combines modern music with gamelan music resulting in harmony with the nuances of Javanese tradition, but it led to controversy.

While modern campursari spearheaded by Anto Sugiyarto or better known as Manthous with his brothers at the beginning of 1993. Manthous Playen born in the village, Gunung Kidul, Yogyakarta When he was sixteen years old he moved to Jakarta to ngamen, poor across the world of music, joined the Star Kroncong Jakarta. Matnhous in 1993 founded the music group campursari "Forward Current". Musically Manthous with sensitivity held a massive innovation on the old campursari. He tried to combine the tools of classical Javanese traditional music, such as drums, gongs and gender, combined with musical instruments like the ukulele keroncong, cak and choke, flute, bass betot, as well as other instruments.

Manthous also try experimenting with inserting a replacement instrument betot bass and classical guitar, which is to include bass and electric guitar and keyboard to replace the flute and the ukulele. The presence of this keyboard is increasingly turning campursari musicality. In addition Manthous also include a set of drums to add campursari musical perfection. Campursari music that was created, typically nuanced and filled with fresh joy.

Mix album The emergence of South Mountain (CSGK) started Manthous success. Thanks to the creative discovery, Manthous get the award for "Innovative Artists" in 1996 from the Yogyakarta branch PWI. Manthous also won several awards in the event the Panasonic Award and Ami Sharp Award. Last award earned in 2001 for Best Contemporary Artist category of Traditional and Contemporary Traditional Album bestseller. Since the early 2000s came the form of a campursari campursari and keroncong gamelan, as well as mixtures of Didi dangdut keroncong and sunken.

Manthous capacity as an artist no doubt. Manthous been poor across the belantika pemusikan Indonesia. The results also ciptannya song very much, for example, the song that was missed by the strains of vocal hits Evitamala, Gethuk sung by Nur Afni Oktavia, or songs sung by Shamans Mbah Koeswoyo Nomo. Manthous success is also orbiting some singers or singer's name that already exist, such as Anik Sunyahni, Minul, Lilis Diana, to Yati Pesek, through song Nyidam Sari, opo Tofu tempeh, Rondho Kempling, loro Bronto and so on are still the song of creation Manthous .

Unfortunately, due to being ill until otherwise affected by stroke, Manthous am not able to create masterpieces of art which had its own digagasnya this. Nevertheless, the soft-gending gending campursari still often heard in every corner of the place, both in restaurants and buses between cities or provinces, local radio, and in celebration events.

Music Mix 2.2, between Tradition and Innovation
Music Mix is ​​a mix between a tradition and innovation, this statement is true because if we think judging from the point of view it is clear that the tradition of musical instruments used are still using traditional or ethnic music like gamelan and other dilantunkannya and lyrics that were using the language namely the Java language and we can see that the singer was sometimes still use the clothing area. Then, from the standpoint of innovation can be seen using a combination of traditional instruments with modern musical was as keyboard, guitar and electric bass, and others. The lyrics are sung to him about the daily life of the community or a witty joke that we often encounter. The music is quite clear that the flow of alternative music, because music has a distinctive flow, which is a blend of tradition and innovation.

2.3 Music Mix in circles Society
Campursari music never grows like mushrooms in the rainy season, but now as the earth swallow. Several years ago, music became a phenomenon campursari music scene in Indonesia, after a touch of Manthous. Meanwhile, the current manager campursari group complained because every time the gig was always bothered by ignorant hands are not responsible for causing the public began to perceive the arts to be reluctant.

The merger of tradition and modern art in the mid 1990's became a symbol of the meeting in the west and east of the ladder system campursari musical tone by the birth of Manthous bring charm, became a magnet for music lovers and players to appreciate, and encourage the growth of the musical groups campursari not only in the scope of the Special Region of Yogyakarta. Mix recognize four categories of music that slendro slendro and that is the musical arranger in the music, as well as major or minor in music keroncong pop. Such arrangements make campursari more flexible, can be arranges traditional music and modern music so much-loved community campursari level of local communities to urban communities.

Campursari music has developed quite rapidly, especially in Java. For example, the development of arts in East Java campursari characterized by the frequent airing of television arts and other electronic media, every person who has a basic need too much use of his son's wedding entertainers plus gamelan this dangdut. Recognized this kind of music very closely with the ear of East Java community because of his music can be combined between the songs keroncong, style, pop, western and dangdut.

Art campursari according to a number of prominent arts in eastern Java, is a combination of pentatonic and diatonic tones are combined with traditional gamelan instruments and a set of band instruments. Campursari music is a form of acculturation of Keroncong and Javanese gamelan music. According to Didi sunken, campursari music is not only famous in Java, but also has been known in Sumatra and Kalimantan.

Campursari had led to the emergence of controversy among artists, because they lose a tradition that is contained in the gamelan music palace. Despite emerging pros cons of purity of this genre, but all parties agree and understand that campursari revitalize traditional music in the land of Java. In addition there are also a controversy when the campursari in the wayang. Many who oppose the musical mastermind campursari the puppet.

Many musicians campursari say that this kind of music is experiencing stagnation. At the end of the decade of the 90s, which is Manthous campursari music maestro explained that the incorporation of elements of pentatonic and diatonic in musical origin campursari not interfere. Campursari musicians are required to have the creativity to find a song that can really dicampursarikan. Cultivation of the work and presenting campursari who carelessly and ignore the valuable it will plunge into the abyss of degradation campursari music keadiluhungan traditional art.
Who argue that there campursari is a creative and innovative, this music is universal that can display and combine different types of songs. In the development campursari music has grown and continues to grow with a variety of innovations. A harmonious blend of aesthetics will bring beauty, harmony for the benefit of the human lot.
Like the man in the mix, work and in life it is necessary to feel the harmony between the members, the mix and tolerance which it also will bring the beauty of life that benefits others.
Advisory ACSI (Association of Indonesia Mix) said that the biggest obstacle facing campursari music players, most of it comes from within themselves:A. Entrepreneurial spirit is still undeveloped.2. Work ethic that has not adapted to the nature of the entertainment industry.3. Awareness of communication to meet public needs and the promotion is still very limited.
Most of the group was created to campursari means of social communication to keep the density of the culture in the social environment is not for commercial purposes.According to Didi sunken, waving campursari music in the 1990s to the rise of musical milestone Javanese songs. About 15-20 years ago, almost all districts, especially DIY there campursari group. Even other types of art are also affected by the outbreak campursari, like ketoprak campursari, Jatilan campursari, nod campursari, Lengger campursari and others. Plans to patent campursari actually been there, but have not realized because of lack of funding.
Some of the singer leaving the world of puppetry and turned-singer campursari, it was due to several reasons:A. There is freedom of expression obtained in campursari music offerings.2. Bargaining position of a singer campursari was generally higher on average than when a singer.3. Being a singer campursari should not participate in the games or klenengan puppet all night, but just one or two hours a day and can move up two or three locations.4. Being a singer, clothing or costume is stuck in a conventional frame, while a singer campursari can look like a celebrity with trendy fashion.
Mix it is looking for raw form, is a musical hybrid campursari results intermarriage between Western music and traditional music and Indonesia. The formulation is useful to notice Ki Hajar Dewantara about culture:A. Born, grow, grow, bear fruit, the sick, elderly, and eventually die back.2. Mating and multiplying, not gathered together, assimilated, united gave birth to a new form.3. Selection experience, a strong will to live, the weak will die.4. Adjusting to nature (nature) and age (community).
Referring to this, campursari enter the category number two, namely marriage and descent, united gave birth to a new form. A music that can carry an ethnicity, could be accepted by the public without removing the identity of the owner of the music itself.
Mix can be accepted among the young, but be smart to find a gap to be accepted by all walks of life. Mix music is still considered a lower middle class kw, because the middle class kebawahlah support this type of art. . It is however, an innovation can not be detached from the pros and cons. According Manthous, campursari music found through a long journey and the stages to finalize a new kind of music.
Although campursari combines elements of pentatonic and diatonic, campursari is not a style, not keroncong, not musical, not dangdut and pop music instead. Campursari campursari music is, as well as a growing phenomenon as the development of cultural mindset of an agrarian society to industrial mindset. If all the musicians in Indonesia want to create ethnic music of course, each region will have original music.
From the date of December 5, 2007 by Mr. Agung Laksono (Chairman of the House of Representatives) at Taman Mini Indonesia Indah (TMII) has declared Indonesia Circle Mix (Pancasindo) as a collection container campursari Indonesia, in order to cope with other things that are not art campursari claimed by another country (Malaysia).
2.4 Efforts to Maintain the Existence Music MixMix music we think is still maintained or re-popularized buffer with a variety of ways, including:• Creating the right promotional media, among others, by including or featuring music Mix in a variety of events both formal and informal in nature and national and international levels, so that the public becomes aware and interested in this music. For example at the reception of foreign ambassadors or make exhibitions of Indonesian culture in neighboring countries.• Establish an organization that is educating and preserving, as one of the organizations that have stood the Sari Mix Association of Indonesia (ACSI), but with the establishment of an organization of artists is not enough to preserve it. There remedying educational program if it is made also in the work program of the organization such as the training of street children or other street use Mix music and playing music.• Train Mix artists to explore interest in the market. As we all know that interest in the market is always changing, so the music Mix should also make innovations or changes that could attract audiences. Examples include creating Liri's lyrics containing the current reflection of people's lives or to suit the theme of his day.
Processing of traditional music does not always have to use traditional music. Now a lot of effort to preserve the musical heritage of the ancestors to combine it with modern instruments. In Java, this blend of music commonly known as campursari. Type of music is considered the only genuine cultural products as being born in the South Mountain South Mountain and created by natives of South Mountain. So far only campursari who claimed to be the original culture of this kapubaten.
It is the beginning of its appearance, the type of music campursari much debated by the artists. One would assume, if art is allowed to grow so campursari tantamount to tearing grip keroncong music. Others argue, if it remains in the grip keroncong principled pure music that one will increasingly be avoided among the young. Referring to the development of traditional arts such as puppet show, with updates here and there turned out to Sunan Kalijaga puppet arts heritage is getting tremendous response, especially from the younger generation.
Campursari strength, namely freedom of expression in it. Freedom c

Few Tips Make Demo Songs

Seeing the enthusiasm of friends band for creativity in music ranging from hobby to wanting to be famous artist and signed by a record label, this time it seems the authors provide a variety of inputs that may be useful for radio friend in need he .. simplenya in the making of a demo we must consider the duration of the song, how many songs should we record, and what can we do after demo finished manufactured and ready to be heard to all parties.

Labels typically receive a lot of demos every day, and an A & R (artist and reportoir) has a very limited time to listen to all incoming demo. That is, the selection of songs and the duration of the song became a very important thing here even started the intro alone is very influential at all. Choose 1 or 2 best songs, with a duration of under 4.5 minutes to be heard, we can choose the single friend of the survey, MD2 radio, whoever could even be considered a friend to pick songs for the radio, youtube facebook et al could be a strategy for listen to our song to everyone. The sound quality is also very instrumental in the success of a demo radio friend and certainly do not want A & R or not the mood to listen to the sound producers are not clear when the preview, the best condition is when an A & R can hear it directly. Make him interested in the proper selection of songs.

Live or Studio demo recording will greatly depend on who the demo was intended. For café or club, they would be very interested in the band with the ability to live well. That does not mean we can not use the recording studio for demos, as most studio recording has better sound quality. For job stage, at least put one track on the demo recording live radio friend. Design cover also has an effect ... you know at a glance, people do judge a book by its cover. So, create a cover design as attractive as possible so that people interested in listening to its contents. Make them curious!

With the demo is good, people will judge your level of seriousness in music. And only the people who mean it can progress and develop, with always put quality and accountability when challenged to live radio friend in front of the producer or whoever. The more you listen, the better your chances. Many examples of famous singers, who can be successful, preceded by a demo tape which changed hands several times and even a sudden we look for those producers who are interested in our work. Many tips and anything else we should also note that we can always get better, I hope useful!

Tips Creating a Great Song

On this occasion, allow me to share my experience dalammenciptakan song. Initially, aya did not kepikiran could make a song, I just wanted to play guitar. Otherwise not be able to make a song and sing it with a band. After a long time too ya ko it boring, others continue to sing. Either Bagimana process, which obviously I immediately thought of making a song.

I first created the song when it was about when I sit (and stand) in the second grade school in the village far away.Well, do not be too long to talk about history. We better focus on the topic of this post are tips in creating a song. Keep in mind, this is the way my tips. Any person may be different. Me and Barry Manilow may be different in a song.
1. For me the main weapon in creating the mood of the song. However my desire to create a song, if it were in a bad mood, it will be difficult to make a great song. Instead of creating lagubagus, make a whole song was not necessarily able to do if we were in a bad mood. However this is often outsmart me that it comes with its own mood. Good mood so that we can do by thinking of pleasant things or sad things. Or mood could also come up with a song in places that can not, like to be alone on the roof of the house, in another room, a quiet porch, bathroom, beach, mountain peak, alone in the open at night when the sky is clear or it could be when it rains. Pokonya tempat2 an unbiased deh.
2. In creating the song, we try to be alone, without any interference from anyone that we are free to express without shame.
3. other equipment that could complement is, as a musical accompaniment. I used to use a guitar
4. The recorder. First time mobile phone was a luxury item, create a song needs a strong memory. Quite often I have to repeat several times until the very outside of the head memorized every verse song that has been created. Quite often the tone that has been created just disappear due to forgetting. Let us create it at night before bed, he had forgotten the next morning. But now with the sophistication of this phone, with a voice recorder facility, we can simply record a song each stanza, so do not be afraid to forget.
5. Stationery. To record our song creation. I sometimes create a song with the lyrics first, sometimes spontaneously kata2 hummed along with the tune, and then recorded. terrkadang I also borrow the lyrics or poems of others and then having finished his song, just replaced with the lyrics of our own creation. The first time I was composing poetry borrowed from Chairil anwar.maklum still lay in making poetry. hehehe
6. Determine the type of music and rhythm and songs of others as a reference. But remember, this is only for reference. Do not be plagiarism. We must maintain the originality of the song that we create. Remember, do not push so that your song should be similar to the songs of others. still keep the originality of your songs. If you created in accordance with your soul, rest assured it can be a good song

7. do not be afraid to publish the songs that we have created to the nearest orang2 to get another assessment of our songs. Remain confident if the assessment of people around us think of our songs is not good because everyone has different musical tastes vary. Or you could also consider the particular bagian2 for the re-arrangements that are considered less good according to others. but if you think it is just right, it was at the establishment.

Creating Your Own Song Creation

The band already had a group, but was bored also brought the songs that already exist.
felt like a band with a rendition of his own creation'll be more confident.
Yups ... it feels more confident that we've been able to bring a band with songs of his own handiwork.
Special for you who ngakunya boy band and want to create your own songs, give Uray Now the tricks that you should consider before making the song ..- Create Warming.Create the first heating-genjreng genjrang perfunctory but grooved. Ddahulu let our voices freely in and out with the words right out of our hearts.
- Looking for tone and Write LyricsDuring genjreng genjrang-run, as he mouthed the words are still free. We should be able to remember where from genjrang-genjreng appears tones that we think is good. While writing the lyrics from a sheet of paper for their ideas or thoughts that exist in our imagination.
- Learning Songs From ExistingTry to always review and listen to the songs of others are "booming" or the like and a lot of success in the markets. By listening to our songs, we can study and try to find more value contained in the song, perhaps in terms of lyrics, the rhythm of the power of song.
- Listen to Songs Work AloneTry to play our songs the same person or not oeang lay observer / music player. Because they can honestly feel the song and judge whether or not we sell. There are songs that are suitable for most people INDONESIA are songs that when the can bring with it kongkow gitaran or bad.
- Look Back In Power There Songs That We MakeIf the song already so, consider again, what is not right there ..?Is the Arrangement is to be the main point ..?Are the lyrics are easy to remember ..?All that reflect back and let your brain work keajaiba. Why KERISPATIH song "For the Love" Can BOOMING ..?Why miss Band songs can get a place in the atmosphere of teenagers and parents ..?So easy to be a fine day-to-day ..?Then what about the British-style packaging NIDJI ..?All the ingredients that make us so that we create work that is different from existing ones.

Before We Remember:

There is no fixed rule in creating a work, but we also need to know that there are strong rules in the language studied musik.Lagu Souls straight from the heart, so it does not matter in love or in love again we submit to the tastes of the listeners. The song is a story of life, both real and cryptic. Inside was an invitation to laugh, cry, reflect, or even denounced .... .

Musicians of today vs. the past era, More Good where?

There may be some of you who think that the former days were better musicians or more powerful than today's musicians. I myself think otherwise. How? Yes. For me, the musicians of today is relatively better and more powerful than the old musician. Why?
Here's my logic. The more days and as time went on (the), of course, the number of songs that will create more and more. Similarly, the music arranger. Today (when you read this), surely the number of songs and musical works far more than 10 years or 20 years ago. Agree? Just imagine if there are now approximately 1 million 1 million songs or musical work is created (from ancient times to the present). It might even be so much more than that.
For that reason, the challenge of the musicians in this day and age is much heavier and larger than the musicians in the old days, say 20 years ago or before that time. Musicians today have to be extra creative and extra rack my brain to create works of music (including songs), which is approximately worth considered original. Just a little note or a bar with some songs that have previously existed, might be considered plagiarism.
That is quite often experienced by musicians today. Plagiarism accusations often come to them. Though they may not know the original song that is considered similar to the songs or their work. Okay if they already know the original songs or have heard the original song. But I still applaud their creativity (although a bit cheated that the tone / rhythm song that already exists), they still can pack it into something new (not 100% the same).
Is not that a creativity?
But what if the similarity of their songs are close to 100% with the original song? I'm not too concerned about it. For me as a connoisseur of music, the importance of the song is good or fun for me. I do not have any business about plagiarism. That's their business as a musician, whether it's music composer and arranger. I have trouble doing ngurusin it?
Speaking of songs that are similar to each other (but not exactly), I give you an example of Malu-Malu Mau songs (Super Girlies) and Rival (Berryz Kobo). If you listen carefully, both songs are indeed quite similar. The difference is only in the language in the lyrics and some music arranger. Diatribe about the plagiarism was directed at the Super Girlies girlband considered one of the songs mimic the Japanese. Including the Japanese concept promoted by the girlband Indonesia.
My opinion? I do not care about the plagiarism issue. For me, the important songs fun for me. In fact, I salute the songwriters and Malu-Malu Mau peracik music arranger. Their work is good enough for my ears as the audience / listener of music. The hell they are considered cheating song from Japan. Thus even when I respond to the problem the similarity between the song Best Friend Forever (Cherry Belle) with the song Kissing You (SNSD).
Suppose I own a musician (composer and arranger or composer), I could not necessarily result in or create works that are 100% original. Different day and age with 10 or 20 years ago. If there are musicians who deliberately imitating or cheat on some part or the tone (of the other songs are already there), for me it does not matter. The important thing is they keep trying to be what one mixes a fresh or new. That's where the challenge. Their creativity tested in situ.
Why plagiarism is considered creative?
For me, plagiarism is when we replicate 100% without modification or development. So, if there are musicians who deliberately mimics some of the tone, bar, and the rhythm of the song that was there first, they are not plagiarism. Especially if they can produce new work better than the original song that they made as a source of inspiration. Better example of the musical arrangements, lyrics, dynamic tones, harmonization of transfer between parts, and so forth.
I really applaud even musicians who are able to mix-mixed many songs to be song / new works fresh or different. For example, when they took some of the tone / rhythm of (eg) 5 pieces of different songs, then they or their racik potion into a fresh new compositions.
Could be, it's not something easy for the musicians. One might assume that there is absolutely no challenge when we want to take "short cuts" deliberately cheating some tone / rhythm song that already exists. My opinion is the opposite. The challenge is much greater, especially for how the songs or music that is produced will be better or have a different flavor than the original song (which is used as inspiration).
Back again to the fact that the more days, the number of songs that will create more and more. Challenges of today's musicians are much heavier than the old musician. However, I strongly applaud musicians who can produce original works of our time. Real example is Lil Widianto. The songs have a sense of its own creation which I think is a very decent original.
Anyway, in conclusion ...
For us as music lovers, try to position ourselves as musicians. Should not be too easy to label the musicians of plagiarism. We may assume that a song / the original work is easy. But we may never feel how hard it is to create new work that is really fresh or not have any similarity with existing work.
If it can, the next challenge is how to work it could be nice to be heard or be liked by music lovers. My question is, Did you able to produce a piece of music it is 100% original and well pleasing to the ear? If you like to sue someone else to produce original work, you should be free from elements of plagiarism.

Most need to be considered in forming the band

Most need to be considered in forming the band are:1. Vision & Dreams For SuccessHe may be great for music, he can make good songs, he also allowed without a rival when singing, but without a clear vision and a dream, it's all nonsense. Band should have the same vision. I want to borrow the words of his Rainbow Warriors Nidji, 'the dream is the key to conquer the world'.Brings together a band's musical vision is necessary to maintain the integrity of a band. Vision of musical differences between members could make a band eventually disbanded or retired members. This is because each member has his own vision of music to play, both now and in the future. Then each member of the band need to know each other and accept the other members of this musical vision as well as to adjust.
2. Got Chemistry Inter Conecting & PersonnelSometimes when making the band, many feel not found a connection between personnel. Connection in the form of personal communication, emotional songs that are made, and feel when making arrangements. Compactness is important, but communication in any case, it becomes more important. Many bands broke up or abandoned because its personnel are not feeling well, buried and finally "exploded" into uncontrollable emotion that brought down the band together.
3. Unity of Heart.Here means that each band member familiar with each other, resulting in keterpautan emotions among the members. Keterpautan This facilitates a cohesive musical game. For example how to watch together, cry together, laugh together, discussions with, and so on. It seems trivial, but believe the emotional side as this helps kesehatian among personnel. This will give the effect of belonging and complement each other.4. Love Music Love his music, makes it especially crucial when forming the band. Many bands are flying now, born of diverse musical influences. There are personnel who like rock, pop, jazz or maybe dangdut. No problem as long as they agree and one heart to love the music they agreed to play. If you play pop, pop love. If you play rock, love rock. Sense of belonging that will help to enjoy the music they play. Enjoy.===After passing the last phase of the band's formation, then the road does not become easier. A musical work they still need to be tested by the listener and the music a wider audience. There are several things that can help improve musical skills and learn the musical tastes of the community, without having to 'prostitution' just go with the flow trend.1. Improve Insights MusicalCreate a musician, in any level, knowledge about the music was very important. A musician to express themselves through musical instrument use within their control. As a result, musical insight is so important. Mastery of musical knowledge will help the musicians in the expression, play and create music. Just for the record, the number of interviews by the author, many musicians who are content with present achievements and do not feel the need to learn better. Too bad ...2. Improve Instrument ControlThe more proficient the musicians that play an instrument, obviously the better. Especially then be able to master another instrument that is not a core music. Process and the birth of musical works nicely, can arise from many instruments. When the musicians have the ability yan continues to increase, the process of creating the work it will also increase the quantity and quality.3. Personal trainingThat is to play musical instruments without a plan in advance. Anyway, just play instrumentnya follow your heart. It is useful to enhance the ability of musicians to express themselves, to recognize and devote his emotions through musical instrument. Large class musicians Mick Jagger, Paul McCartney or Iwan Fals in many interviews always say they are still practicing and practicing.4. Joint exercises That is a band together to play each instrument without any prior plans. Anyway, each member of playing just followed his heart instrumentnya respectively, while listening to the game the other members as well as each tried to adjust their game with the game the other members.This is important and useful for each of the band members know each other habits of other members and be able to adjust his game to the game the other members. The end goal for the band playing, it could be more unified and harmonious.Many great and legendary arranger, was born when the personnel training together. When they found the chemistry and emotions spilled, will usually be more loose.5. Sensitivity hone & BeautyMusic arranger not only talk, but also song lyrics. It would be more fun when each personal band, willing to try to listen and read other things that help its sensitivity work. Try to hear the harp guitarist, drummer trying to hear the drum, or keyboardist tried to hear the acoustic guitar.Later lyricists tried a lot to bring the work of Satra, theater or listening to great poems. Not having to make complicated and pretentious lyrics are literary, but it touches the realm of sense of beauty. Most can not make it comfortable and pleasant song with the lyrics sung.6. Broadening our horizons ThinkingMusicians do not have to graduate, do not have doctorates. High school education or lower are also not prohibited. But he should dare to equip themselves with knowledge and a broader view of his work is not so nuts. Broadening the horizons think it's necessary so that a musician can create the song's lyrics are beautiful, touching and feeling to the audience wearing his songs.Song with the lyrics of this kind can survive much longer like his audience remembered the alias. In addition to the vast horizons of thinking that allows a musician in exploring and creating various types of music.

what is Mp3?

Invented in 1991, MPEG (Motion Picture Experts Group) Layer 3 – file type better known under the name of mp3 – remarked itself in less than 10 months from the launch as the most performing audio format on the web. And it is no wonder: the sound is excellent, Downloads are fats, and the variety of the products available in this format is overwhelming. The huge competition in the online audio war between Real Audio and Shock Wave produced by Macromedia has been step over at once by the new comer.

Mp3 is digital form of compression audio streams that came to life after 15 years of acoustic research. Mp3 can make an audio file up to 12 times smaller than the original file.
Being so small the mp3file still has all the perceptible audio details, giving up only those that the human ear cannot hear.

According to the declaration of engineers from the Fraunhoffer Institute, a pioneer company in the mp3 technology, this system explores the properties of the human ear, trying to maintain the original sound quality, in the boundaries of what is possible. Although it is not as clear as an audio CD, an mp3 still is an enormous realization when it comes to sound quality for such a big compression rate.
Another huge advantage the mp3 format represents is the stocking capacity. Five minutes of music on a CD take up about 40 MB, but if they were in mp3 format they could take only 3, 5 MB.
For some, the Mp3s are a dream come true, for others the worst nightmare. In the confusion caused by technological revolution, we still cannot afford not to know what is legal and what is not. Recording companies have suffered great losses because of this format.

It is very simple to create and distribute mp3s. But this does not mean you have to give them to others unless you have the right to do that. It is legal to make mp3s out of an audio CD you bought, but it is illegal to give someone copies of those mp3s.

How to set Drumm

Many great drummers in the game but sometimes it is difficult to tune the drum. Many ways to tune the drum. Some are using the tools and some manual. If pakek tool's easy. But how to do if nyetem not pakek tool. Well ... now I'm going to bagiin little info about How to manually tune drums.

     A. First, you decide the color or the desired drum sound (just listen to the drums of your favorite bands),
    2. Listen to better focus its kesuara snare, because it says a lot that way if drummers reliable Snare is a character key or a drummer,
    3. If already, you try your Snare stem cross pattern,
     Well ..., if already nyetem Snare, continue to set the other wrote,
     Set the other way too close together.

Uh ..., one more. If you want dapetin Drum sounds good, try to use the same membrane branded glow n the same. Because the brand n series influential voice to the character. Well I think it does. Hopefully belom useful for readers who understand. GOOD TRY ... :-)

Tips for reading Could Not beams

Read music is not an easy thing, especially for someone who has studied music first in the compulsory and to be able to read music. I myself only able to read music 3 years ago after starting to learn classical guitar. Previously I could not read music at all, because from elementary through high school, I was allowed and never scolded when I replace musical notes into the notation not numbers. So i never used to read music is directly and I became lazy to read music is. Any study of art music, which I and my friends do is change the musical notes into note numbers. It was carried away until I started studying classical guitar and I was distraught because it is not allowed to change the musical notes in the book so not a number. Drunk and dizzy is not playing. But there are some ways that I did for I was finally able to read music is in a period of 1 month. Here's how I did:

    Exercise every day, this is important because I am not used to reading the "sprouts" are hanging here and there and dark colored. Exercise does not need to sweat and tears, the important thing is every day. At least a half hour or one hour per day. Exercises can be done from books obtained from the les (if music lessons), from the bookstore, scores of friends who have simple songs with musical notes, or from the internet.
    Playing a musical instrument every day, it is associated with point number 1, where we must exercise our ability to read music every day. We learned to play the instrument on a regular basis also have another benefit, which we can hone our ability to control and explore the musical instrument.
    Practice in the relaxed state, it is necessary for our brain to work optimally. If we practice in a depressed state as pressed for time, being in a state of angry, or sleepy, then we will not be able to practice to the fullest.
    Do not memorize the musical notes, the point here is that we do not memorize the musical notes as we learn the lessons of history or school. Because if that's what we do, then most likely we will be quickly forgotten when we have never read music anymore. Let's not enough to know the location in the stave and where we played an instrument and the tone in practice, looking partiturnya, desperately do not memorize (do lying here, re lying there, and so on.) Memorize it will happen when we have frequent exercise and often play with the instruments that we field (see points 1 and 2: p)Of the four things above I was finally able to read music even though this capability must always remain geared up every day and given the level of difficulty of the song to be played must be higher. Where should I learn about the beats and the tempo and break the existing mark in a musical score that makes the game more fluid.So good luck to practice the four terms in the well. And why have other tips please feel free to add, just in case we get the tips above, will further help friends who are learning to read music. For who are still confused or want to ask his pants were allowe.....

Cara jitu membaca notasi not balok (Sight Reading) dengan cepat!

Membaca notasi not balok adalah keahlian (sight reading skill) yang harus diasah terus setiap saat oleh murid. Bagaimana tidak, begitu kita belajar lagu baru, kemampuan membaca not balok akan mempercepat penguasaan lagu tersebut.  Dari statistik yang ada,  rata-rata murid menemui kesulitan dalam membaca not balok yang disebabkan karena mereka kurang mengetahui cara yang benar, atau guru mereka tidak tahu/kurang me-implementasikannya pada tiap sesi pengajarannya.
Berikut dibawah ini adalah tips untuk mengembangkan "skills" membaca not balok (sight reading) dengan baik:

1. Observasi kunci (clef), tangga nada (key signature) & tanda birama (time signature).
2. Lihat keseleruhan dari lagu untuk menemukan hal-hal yang tidak terduga, seperti: perubahan kunci, interval satu oktaf, accidental (#/þ)
3. Hitung pulse dan ritmiknya! Rasakan pulse pada tubuh kita dengan tap, clap, pat, dan snaps! Pilihlah tempo yang tidak terlalu cepat maupun terlalu lambat! Rhythm adalah faktor yang sangat penting pada kemampuan sight reading. Karena tanpa rhythm, lagu tidak akan terbentuk dengan baik meski not benar.
4. Nyanyikan nada dengan "la", "ma", "na" atau alphabet nada "C", "D", "E" dari setiap melodi di tangan kanan dan tangan kiri secara terpisah!
5. Visualisasikan jari jari sedang bermain diatas tuts piano tanpa membunyikannya, letakkan jari-jari anda diatas pangkuan anda!
6. Mainkan lagu sambil tetap menghitung dan merasakan pulse sambil mata tetap melihat ke arah partitur!
7. Nilailah permainan anda sendiri, apakah akurat atau tidak? Bila belum, mainkan sekali lagi dalam tempo yang lebih lambat.

source: Piano Teaching Guide- Dept Pendidikan Nasional, th 2009

Yang paling perlu diperhatikan dalam membentuk band

Yang paling perlu diperhatikan dalam membentuk band adalah:
1. Visi & Mimpi Untuk Sukses
Dia boleh hebat bermusik, dia boleh jago bikin lagu, dia juga boleh tanpa tandingan ketika nyanyi, tapi tanpa visi dan mimpi yang jelas, itu semua omong kosong. Personil band harus punya visi yang sama. Saya ingin meminjam lirik Laskar Pelangi-nya Nidji, ‘mimpi adalah kunci untuk menaklukkan dunia’.
Menyatukan visi bermusik sebuah band itu perlu untuk menjaga keutuhan sebuah band. Perbedaan visi bermusik antar anggota bisa membuat sebuah band akhirnya bubar atau anggotanya mengundurkan diri. Hal ini disebabkan setiap anggota punya visinya sendiri tentang musik yang ingin dimainkannya, baik sekarang maupun di kemudian hari. Maka tiap anggota band perlu saling mengetahui dan menerima visi bermusik anggota lainnya ini serta saling menyesuaikan.

2. Punya Conecting & Chemistry Antar Personil
Kadang-kadang ketika membuat band, banyak yang merasa tak menemukan koneksi antar personil. Koneksi itu dalam bentuk komunikasi personal, emosi lagu yang dibuat, dan feel ketika membuat aransemen. Kekompakan itu penting, tapi komunikasi dalam hal apapun, menjadi lebih penting. Banyak band yang bubar atau ditinggalkan personilnya karena perasaan yang tidak enak, dipendam dan akhirnya “meledak” menjadi emosi tak terkontrol yang meruntuhkan kebersamaan band itu.

3. Kesatuan Hati.
Disini maksudnya agar anggota band saling akrab satu sama lain, sehingga terjadi keterpautan emosi antar anggota. Keterpautan ini memudahkan permainan musik yang padu. Caranya misalnya nonton bareng, nangis bareng, ketawa bareng, diskusi bareng, dsb. Tampaknya remeh, tapi percayalah sisi emosi seperti ini membantu kesehatian antar personil. Ini akan memberi efek saling memiliki dan saling melengkapi.
4. Mencintai Musik[nya]
Mencintai musiknya, menjadi hal yang sangat krusial ketika membentuk band. Banyak band yang berkibar sekarang, lahir dari pengaruh musical yang beragam. Ada personil yang suka rock, pop, jazz atau mungkin dangdut. Tidak masalah selama mereka sepakat dan sehati mencintai musik yang mereka sepakati untuk mainkan. Kalau main pop, cintailah pop. Kalau main rock, cintailah rock. Sense of Belonging itu akan membantu menikmati musik yang mereka mainkan. Enjoy.
===
Setelah melewati fase pembentukan band tadi, lantas jalan tidak menjadi lebih mudah. Secara musical karya mereka masih perlu diuji oleh pendengar dan penikmat musik yang lebih luas. Ada beberapa hal yang bisa membantu meningkatkan kemampuan musical dan mempelajari selera musikal masyarakat, tanpa harus ‘melacur” ikut arus trend saja.
1. Meningkatkan Wawasan Musikal
Buat seorang musisi, dalam level apapun, pengetahuan soal musik itu sangat penting. Seorang musisi mengekpresikan dirinya lewat alat musik yagn dikuasainya. Alhasil, wawasan musical itu jadi penting sekali. Penguasaan pengetahuan musik akan membantu musisi dalam berekspresi, memainkan serta menciptakan musik. Sekadar catatan, dalam sejumlah wawancara yang penulis lakukan, banyak musisi yang merasa cukup dengan pencapaiannya sekarang dan tidak merasa perlu belajar lebih baik. Sayang sekali…
2. Meningkatkan Penguasaan Instrument
Makin mahir si musisi itu memainkan alat musiknya, jelas makin baik. Apalagi kemudian bisa menguasai alat musik lain yang tidak menjadi core musiknya. Proses musical dan lahirnya karya apik, bisa muncul dari banyak instrument. Ketika musisi itu punya kemampuan yan terus meningkat, proses penciptaan karya itu juga akan meningkat secara kuantitas dan kualitas.
3. Latihan Personal
Maksudnya memainkan instrument musik tanpa rencana terlebih dahulu. Pokoknya mainkan saja instrumentnya mengikuti kata hati. Hal ini berguna untuk meningkatkan kemampuan musisi mengekspresikan dirinya, mengenali dan mencurahkan emosinya melalui instrument musik. Musisi besar sekelas Mick Jagger, Paul McCartney atau Iwan Fals dalam banyak wawancara selalu mengatakan mereka sampai sekarang masih berlatih dan berlatih.
4. Latihan Bersama [Ngejam]
Maksudnya suatu band secara bersama-sama memainkan alat musiknya masing-masing tanpa ada rencana terlebih dahulu. Pokoknya masing-masing anggota memainkan saja instrumentnya mengikuti kata hatinya masing-masing, sambil mendengarkan permainan anggota-anggota lainnya serta saling berusaha menyesuaikan permainan masing-masing dengan permainan anggota-anggota lainnya.
Hal ini penting dan berguna agar masing-masing anggota band saling mengenal kebiasaan anggota-anggota lainnya dan dapat saling menyesuaikan permainannya dengan permainan anggota-anggota lainnya. Tujuan akhirnya agar permainan band itu bisa semakin padu dan harmonis.
Banyak aransemen bagus dan legendaries, lahir ketika personilnya latihan bersama. Ketika mereka menemukan chemistry dan emosi tertumpah, biasanya akan lebih lepas.
5. Mengasah Kepekaan & Keindahan
Musik tak hanya bicara aransemen, tapi juga lirik lagu. Akan lebih menyenangkan ketika masing-masing personal band ini, mau mencoba mendengarkan dan membaca hal-hal lain yang membantu kepekaannya berkarya. Gitaris coba mendengar harpa, drummer coba mendengar gendang, atau kibordis mencoba mendengar gitar akustik.
Kemudian penulis lirik coba banyak membawa karya satra, menonton teater atau menyimak puisi-puisi yang bagus. Tidak harus membuat lirik yang ribet dan sok sastrawi, tapi menyentuh ranah kepekaan akan keindahan. Paling tidak bisa menjadikan lagu itu nyaman dan enak dinyanyikan dengan liriknya.
6. Memperluas Wawasan Berpikir
Musisi tidak harus sarjana, tidak harus doktor. Lulusan SMA atau lebih rendah juga tidak dilarang. Tapi dia harus berani membekali diri dengan wawasan dan pandangan yang lebih luas supaya karyanya juga tidak kacangan. Meluaskan wawasan berpikir itu perlu supaya seorang musisi dapat menciptakan lirik-lirik lagu yang indah, menyentuh perasaan dan mengena ke pendengar lagu-lagunya.
Lagu dengan lirik macam ini dapat bertahan disukai pendengarnya lebih lama alias dikenang orang. Selain itu dengan wawasan berpikir yang luas memudahkan seorang musisi dalam menggali dan menciptakan beragam jenis musik.

Membentuk Band Yang Solid

Sudah bukan hal yang asing lagi kalau saat ini banyak band-band baru bermunculan dan meramaikan kancah persaingan di industri musik Indonesia. Akan tetapi tidak semua band-band itu sukses atau paling tidak bisa bersaing dengan para kompetitornya di industri musik. Kebanyakan hanya booming sesaat dan setelah itu, mereka seperti tenggelam dan bahkan tidak terdengar lagi gaungnya di industri musik Indonesia.
Ada banyak hal yang menyebabkan band-band tersebut tenggelam.
1. Tidak solidnya band tersebut
2. Tidak siap mental untuk menghadapi persaingan dengan band-band lainnya.
3. Persiapan yang terlalu instant
4. Kemampuan individual dari setiap personil yang tidak mumpuni sebagai seorang musisi.
Disini yang akan gw bahas dan garis bawahi adalah solidnya sebuah band. Berbicara tentang solid, solid disini sendiri dapat disama artikan dengan loyal. Yup, loyalitas personil sebuah band terhadap bandnya memang sulit untuk dibangun. Terkadang mereka hanya mengedepankan ambisi untuk bisa dikenal orang dan sukses tanpa melihat hal-hal yang diperlukan sebagai dasar agar band mereka bisa bertahan di tengah-tengah persaingan di dunia musik yang sangat ketat di jaman sekarang ini yakni solidnya band tersebut.
Untuk bisa membentuk sebuah band yang solid bukan hal yang mudah dan tidak bisa dalam waktu yang cepat. Suatu hal yang luar biasa jika suatu band bisa menjadi band yang solid dalam waktu yang cepat. Membentuk sebuah band yang solid tidaklah semudah membalikkan telapak tangan.

Ngeband bukan hanya untuk sekedar jadi famous

Apa yang perlu dilakukan untuk membentuk sebuah band yang solid?
==> Visi dan misi. Samakan dulu persepsi masing-masing personil untuk masa depan band ke depannya. Hal ini yang paling utama harus dilakukan karena dalam band ada beberapa personil dengan beberapa isi kepala yang berbeda dan sudah barang tentu bukan hal yang mudah untuk menyatukannya dalam waktu yang singkat. Bicarakanlah dulu dari hati ke hati antara sesame personil. Keluarkan semua unek-unek dan apa yang menjadi keinginan dan harapan dari masing-masing personil dari band yang dibentuk. Dengan demikian, proses penyatuan dan pencarian jalan tengah untuk menyamakan visi dan misi akan lebih mudah.
==> Ego para personil. Berbicara tentang ego sudah barang tentu bukan hal yang mudah untuk menekannya. Terutama dalam bermusik. Para personil tentu saja harus bisa benar-benar memahami kalau bermain dalam band bukanlah bermain solo. Porsi musikalitas para personil tentu saja harus diseimbangkan satu sama lain. Kalaupun ada yang ingin menonjolkan musikalitasnya harus dibagi secara merata agar tidak ada yang merasa terasingkan dalam permainan musik dari band itu sendiri. Hal seperti ini bisa membuat loyalitas personil berkurang dan pada akhirnya bisa keluar dari band tersebut. Menekan ego juga bukan hanya dalam soal bermain musik, akan tetapi juga dalam kehidupan sehari-hari seperti berkompromi dengan jadwal latihan dll.
==> Disiplin. Disiplin pada jadwal latihan yang telah ditetapkan bersama dengan cara tidak datang terlambat pada saat jam latihan apalagi sampai tidak hadir pada saat jam latihan tanpa memberi kabar pada personil dan tanpa alasan yang tepat. Disiplin juga pada diri sendiri dengan cara berlatih sendiri dirumah agar pada saat latihan bersama tidak mengganggu jalannya latihan hanya karena kita lupa lirik lagu, lupa chord lagu, dan tidka menguasai jalannya lagu.
==> Kebersamaan dan saling medukung antar personil. Membentuk kebersamaan dengan cara sering-sering kumpul bareng di luar jam latihan agar bisa saling mengerti karakter satu sama lain sehingga dapat menemukan cara saling menghadapi karakter masing-masing. Saling mendukung tidak hanya dalam kegiatan band akan tetapi juga dalam kegiatan diluar band juga dapat membentuk kebersamaan yang kuat. Dengan cara ini maka para personil akan bisa saling menghargai satu sama lain.
==> Keterbukaan antara personil. Jangan takut untuk dikritik dan mengkritik. Memberi kritikan disini adalah dengan cara memberi kritikan yang membangun, contohnya “Kamu memainkan part itu sudah bagus, akan tetapi, lebih bagus lagi kalau kamu memainkannya seperti ini.” Jangan menggunakan kata-kata “kamu salah memainkannya” dan kata-kata sejenis karena hal ini dapat membuat mental personil yang dikritik menjadi down. Menerima kritikan adalah hal yang lebih bagus lagi. Membuat kritikan itu sebagai pemicu untuk bisa bermain lebih bagus lagi adalah hal yang lebih baik ketimbang membalas kritikan dengan argument yang ujung-ujungnya bisa menimbulkan perselisihan dalam band.
==> Loyal dan yakin terhadap band sendiri. Hal terakhir adalah hal utama yang penting. Kita harus yakin pada band kita sendiri kalau band kita bisa sukses seperti band-band lain yang sudah lebih dulu sukses. Jangan hanya karena ada tawaran lain yang lebih menggiurkan kita meninggalkan band kita begitu saja. Kalaupun ada tawaran lain dan kita ingin menerimanya hendaklah dibicarakan dahulu dengan personil yang lain dan mencari jalan tengahnya agar tidak memberi dampak negative bagi kedua belah pihak.
Demikianlah tips yang bisa gw bagi teman-teman yang ingin membentuk band. Yang perlu diingat adalah ngeband adalah bukan hanya sekedar untuk menjadi terkenal akan tetapi juga berbicara mengenai bagaiman kita menyajikan esensi musik yang baik terhadap pendengar. Salam musik!

APA ITU MUSIK INDIE

Apakah definisi dari musik indie menurut loe? Sebenarnya menurut gw, musik indie sebagai aliran atau genre musik itu “not even exist” ( tidak ada-red), karena yang disebut musik indie itu adalah untuk membedakan antara yang mainstream dengan indie.

Jadi musik indie adalah istilah untuk membedakan antara musik yang dimainkan oleh musisi profesional dengan musisi amatir. Tapi yang pasti indie adalah gerakan bermusik yang berbasis dari apa yang kita punya, do it yourself, etika yang kita punya mulai dari merekam, mendistribusikan dan promosi dengan uang sendiri. Walaupun nantinya akan ada perbedaan lagi antara indie dengan D.I Y itu sendiri.

Bagaimana pengkriterian antara indie dengan mainstream? Umumnya yang dimaksud dengan mainstream adalah arus utama, tempat di mana band-band yang bernaung di bawah label besar, sebuah industri yang mapan. Band-band tersebut dipasarkan secara meluas yang coverage promosinya juga secara luas, nasional maupun internasional, dan mereka mendominasi promosi di seluruh media massa, mulai dari media cetak, media elektronik hingga multimedia dan mereka terekspos dengan baik.

Jadi jika berbicara kriteria dari mainstream dengan indie, itu lebih kepada industrinya, perbedaannya lebih kepada nilai investasi yang dikeluarkan oleh perusahaan rekaman. Kalau masalah talent atau talenta, tidak ada yang memungkiri kalau band-band indie terkadang lebih bagus daripada band-band mainstream. Jadi di sini hanya masalah uang, karena industri musik berbasis kepada profit, jadi label menanamkan modal yang besar untuk mencari keuntungan yang lebih besar, ya, itu tadi pada nilai investasinya.http://simphonymusic.com/